“He wrote essays on the photograph and its majesty, posed for hundreds of different portraits, many of them endlessly copied and distributed around the United States. He was a theorist of the technology and a student of its social impact, one of the first to consider the fixed image as a public relations instrument. Indeed, the determined abolitionist believed fervently that he could represent the dignity of his race, inspiring others, and expanding the visual vocabulary of mass culture. ”
via The New Republic
